NEW YEARS DAY frontwoman Ash Costello spoke to Alternative Press about the band’s forthcoming full-length album, tentatively due in the spring. The follow-up to 2015’s “Malevolence” will include the song “Skeletons”, which was released last month as a single.
“‘Skeletons’ is, out of all the new songs, I’m gonna say one of the lightest-sounding, if that makes sense,” Costello said. “The record, actually, is quite heavy. So we figured we’d start at the bottom of the hill and work our way up instead of at the top and work our way down. So, what you can take away from ‘Skeletons’, though, is that the newer songs are gonna be very catchy. Even though it’s gonna be very heavy music, the melodies and the lyrics are still going to be very, very catchy and poppy.”
Last month, Costello told Heavy New York that NEW YEARS DAY‘s upcoming disc will be “totally different” from “Malevolence”. “‘Malevolence’ came out three years ago,” she said. “Are you the same you were three years ago? I hope I’m not. I feel like I’ve improved in songwriting; I’ve improved in singing; I’ve improved in screaming. Every year that goes by, I learn more about want kind of artist I want to be and what kind of art I want to put out. It’s changed quite a bit, so that’s why we put out [the EP] ‘Diary Of A Creep’ to kind of be a little bit of a segue. We wanted to do a lot of what you can expect in the future. We covered everything from PANTERA to NEW ORDER. That’s what you can expect. ‘Skeletons’ is the first taste – a heavy riff with a very catchy chorus… It’s not completely left-field — it’s still very NEW YEARS DAY — but it’s growing up.”
Asked how the new album will differ lyrically from “Malevolence”, Ash told Heavy New York: “‘Malevolence’ was mainly very anti-love, spiteful, really-upset-about-relationships album, because when I did that record, I had just found out that I had been cheated on in a five-year relationship. All that anger came out, especially in the title song. That’s not a nice song. Now, I don’t have a shitty relationship to use as fuel for lyrics, but my whole outlook has changed. Now there’s kind of, like, a light at the end of the tunnel, so a lot of songs are going to reflect that.”
